Εμφάνιση αναρτήσεων με ετικέτα performance. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα performance. Εμφάνιση όλων των αναρτήσεων

Τρίτη, 21 Ιανουαρίου 2014

Captain Phillips (2013)

Director: Paul Greengrass
Writer: Billy Ray (screenplay), Richard Phillips (based upon the book "A Captain's Duty: Somali Pirates, Navy SEALS, and Dangerous Days at Sea" by)
With: Tom Hanks, Barkhad Abdi, Barkhad Abdirahman
Duration: 134'
Country: USA

One of the movies that claim the title “Movie of the Year” has already six Oscar nominations for this year, along with Best Achievement in Film Editing, Sound Editing, Sound Mixing, Best Writing, Adapted Screenplay and Best Performance by an Actor in a Supporting Role for Barkhad Abdi. Having almost 70 nominations, the movie has already claimed a position in the “favorites” list.

The screenplay (Billy Ray) of “Captain Phillips” is based on the the book “A Captain's Duty: Somali Pirates, Navy SEALs, and Dangerous Days at Sea” (2010) by the real Richard Phillips who was taken hostage by Somali pirates in the Indian Ocean as part of the Maersk Alabama hijacking in 2009.

The US-flagged MV Maersk Alabama was the first American cargo ship to be hijacked in two hundred years as IMDB informs us on the movie's page, where it has scored 8, 1 so far. With most of the nominations gained for the performance of Tom Hanks and his co-star Barkhad Abdi, “Captain Phillips” has become everyone's favorite action thriller of the year.

We follow the extraordinary story of a captain who, while on duty in the Indian Ocean, his cargo ship was hijacked by Somali pirates. We watch with extreme precision how the captain realized the menace and how he managed to prevent the hijacking by using all means from his crew, the ship and his own head.

While proving to be prepared with solutions for preventing the incident, he is unaware of what will follow next. The horror and fear he will face in the hands of these “fishermen”, who are nothing more than poor men in need for money for the boss who rules their lives.

Muse, the leader of this mission thinks that he got lucky choosing an American cargo ship. He believes its crew and captain will obey his orders and hand him the ship's money. But he miscalculates and soon realizes nothing is going to be easy with this captain.

The story unravels slow revealing its characters feelings. While we observe the growing tension we cannot help but notice this peculiar relationship created between Captain Phillips and the leader of the hijackers, Muse. 

Looking at each other deep in the eye, they are trying to show who is in control. Muse wants to impose his domination over his own crew, but mostly over the captain. Captain Phillips though, wants to preserve his own authority and is trying to maintain a neutral attitude towards the pirates. And he also tries the same thing: to show his own crew that he still has control.

After some serious incidents, everyone realizes that things have changed into worse. The pirates act recklessly doing the unthinkable. They kidnap Captain Phillips for at least two days, while the American coast guard along with trained marines await the appropriate moment to attack and disarm or better, eliminate them.

The negotiations fail to come to a desirable result and the USA justs wants to get rid of the targets. The morality that is hidden behind all these, the power America shows over anything named as terrorism or pirates is overwhelming. If you stand in front of the Americans as an obstacle, they will do anything to take you down in the name of national security. The movie tries hard to remind us this.

All this tension unraveling throughout the movie, bursts out at the last sequence, where Captain Phillips collapses. And here is where the sublime performance by Tom Hanks takes place. Weak and confused he gives up, he falls apart, he loses the control he fought for. His vulnerability is magnificent on screen. 

DiCaprio managed to steal the 'Best Actor in a Leading Role' nomination from Hanks, and me being a fan of both of them, cannot help but think this: Hanks has already proven his value, while DiCaprio still fights for a position in the Oscar Hall of Fame. Well, maybe Leo will get it this time.

One thing I admire in Paul Greengrass's direction is that he managed without any Hollywood tricks and effects to exhibit this slow growing tension and succeed in giving us a thrilling action movie with great performances (don't forget Barkhad Abdi's nomination for Best Performance by an Actor in a Supporting Role).

One of the feelings I cannot hide for this movie, is my deep sadness over those poor Somali people who had no choice but to hijack, threaten, kidnap just to survive. They live in a world so different, where they grow up under war conditions. Even though this movie focuses on a more American way of dealing with things, it still makes us wonder why these people have no choice but turn to crime.

Τρίτη, 5 Νοεμβρίου 2013

The sessions (2012)

The sessions (2012)
Director: Ben Lewin
Writer: Ben Lewin, Mark O'Brien (article)
With: John Hawkes, Helen Hunt, William H. Macy
Duration: USA
Production: 95’

One of the words that pop up in your head watching this movie is heartbreaking honesty.

Characterized as the Festival Hit of the year, “The Sessions” made an impression on the crowd for its obvious - almost unintentionally looking - naivety. It had gained an Oscar nomination for Best Performance by an Actress in a Supporting Role for the indeed extraordinary Helen Hunt and some more Festival awards with most important that of Sundance (Audience Award and Special Jury Prize).

Based on the article of Mark O'Brien, the same person we see on screen, the same unique character that suffered from polio at age of 6 and used an iron lung until his death, the true, inspiring story of a man who wanted to experience life in its full extent. A man who was craving for real love, for true feelings of affection and wanted to know everything about the magic of making love.

Mark is living a peaceful life at his house. He has a special lady to clean him up, help him shop his vintage shirts and feed him. After not feeling comfortable with his latest assistant, he goes on a hunt of finding the perfect candidate. Through this process he realizes how much he wants to seize being a virgin.  How much he truly wants to experience sexual intercourse, aka having sex.

He is a devoted Catholic and with the ethical guide of his priest he decides to take this journey and hire a sex surrogate. The priest, such an amusing character given by William H. Macy, is his listener, his way of making amends with God himself, but most of all is his true friend who watches a grown disabled man with a pure heart to wish for something so natural and normal. He deletes any kind of religious boundaries and manages to advise him as a true friend.

After he already decided to act upon his decision to have sex and feel real love, he contacts his therapist who introduces him to Cheryl Cohen-Greene, a professional sex surrogate who has a normal, conventional life. The relationship they create will change them both. To his journey towards manhood, Mark discovers how he can love, how he can express himself and his tortured body.

And then except Helen Hunt, you get an astonishing performance by John Hawkes. His facial expressions of a simple, honest, full of humor disabled man transfer the uniqueness of this true story into our own eyes as we watch his life transforming into the beautiful experience it can be. By fulfilling only this simple wish, which for any other is something so “easy to get”, he is finally the person who always wanted to be – complete. Complete with love, sex, emotions, moments, happiness and life, no matter the difficulties. 

The simplicity that accompanies The Sessions’ direction by Ben Lewin can be shown in the clean shots of his characters. The colorful universe Mark lives in, even if for some can provoke pity, Lewin manages to convey exactly the opposite. He makes you feel proud and admire Mark for his integrity, his way of thinking, his romance, his own extraordinary life.

The talent of Mark deleting any kind of awkwardness and taboo concerning sex and its content is also the director’s talent not to make it look weird in any context. Mark and his character win everyone over with his innocence, his ignorance, his unlikeness. He is sweet and so unpredictable beautiful, a beauty that comes from inside and glows on the outside. What if he is marked by the “disabled” tag, the people and their lives he touched with his simplicity are living proof that tags and people don’t match.  

Mark’s story is a constant lesson to all of us who seek perfection and happiness in a life that is most of all beautiful and interesting just the way it is.